The Jewel in the Skull
The first novel in the The History of the Runestaff series.
Publishing History (UK)
- Mass Market Paperback, Mayflower, 160pp., ISBN:0-583-11368-0, Jan 1969, Cover by Bob Haberfield
- Mass Market Paperback, Mayflower, 160pp., ISBN:0-583-11368-0, 1972, Cover by Bob Haberfield
- Hardcover, White Lion, 160pp., ISBN:0-85617-474-2, 23 Jul 1973, Cover by James Cawthorn
- Mass Market Paperback, Granada, 160pp., ISBN:0-583-11368-0, 1981, Cover by Bob Haberfield
- Mass Market Paperback, Grafton, 160pp., ISBN:0-586-21172-1, 28 Mar 1990, Cover by Richard Clifton-Dey
- eBook, Gollancz, ISBN: 978-0575109704, 19 Dec 20132013
Omnibus Publication (UK)
- The History of the Runestaff, Hart-Davis, 1979 (hc)
- The History of the Runestaff, Granada, 1984 (pb)
- Hawkmoon, Millennium, 1992 (hc/tp)
- Hawkmoon, Gollancz, 1995 (pb)
- Hawkmoon: The History of the Runestaff, Gollancz, 2003
- Hawkmoon: The History of the Runestaff, Gollancz, 2013
Publication History (US)
- Mass Market Paperback, Lancer, ISBN:0-447-73688-4, 1967, Cover by Gray Morrow
- Mass Market Paperback, Lodestone, B-5015, 1967, Cover by Gray Morrow (Unauthorised edition)
- Mass Market Paperback, Lancer, 1973, Cover by Gray Morrow
- Mass Market Paperback, DAW, ISBN:0-87997-276-9, 1977, Cover by Richard Clifton-Dey (Revised edition)
- Mass Market Paperback, DAW, ISBN:0-88677-043-2, 7th printing, Cover by Richard Clifton-Dey (Revised edition)
- Mass Market Paperback, DAW, ISBN:0-88677-175-7, 9th printing (c. 1985), Cover by Richard Clifton-Dey (Revised edition)
- Mass Market Paperback, Ace, ISBN:0-441-31847-9, April 1990, Cover by Jill Bauman (Revised edition)
- Trade Paperback, Tor, 224pp., ISBN: 978-0-7653-2473-3, 5 January 2010, Cover by Vance Kovacs (as 'Hawkmoon: The Jewel in the Skull')
Omnibus Publication (US)
- The History of the Runestaff, DAW, 1977 (pb) [unverified]
- Hawkmoon, White Wolf, 1999 (hc/tp)
- Jewel and Amulet, Tor, 2015 (pb)
Outline (Differences to final novel)
According to Moorcock, the novel that he finally wrote changed somewhat from the outline he originally presented to Lancer Books. However, it was this outline was used by Lancer as the cover blurb for the first edition, which read:
- THE RUNESTAFF
- It was a mysterious lost artifact said to
- contain all the secrets of destiny. And
- on an ancient and strangely alien Earth
- it influenced the destines of...
- DORIAN HAWKMOON, who sold his
- sword to anyone who would pay the
- price and despised all who needed
- his services-but who found himself
- trapped by the evilly sentient black
- jewel in his skull
- KING HUON, ruler of the sinister,
- implacable Dark Empire
- BARON MELIADUS, the king's right-
- hand man, motivated entirely by
- COUNT BRASS, Protector of the peo-
- ple of Kamarg, the last corner of the
- world to hold out against the Dark
- Empire's merciless advance
- ISEULTE, the count's daughter, as
- soft and as strong as silk
- and many others, in a stirring new saga
- of swords and sorcery by a brilliant
- writer, the first of a series destined to
- rank with the Conan series and the
- Lord of the Rings trilogy.
- "...it took me three days to write the Hawkmoon books. I used to say that I COULD do the job in two days, but it needed a third day for that extra polish... I used to spend a few days in bed thinking over the story, get up to write it, then go back to bed for another day or so. It was to do with best use of energy."
- "I have yet to read [the Hawkmoon novels] myself. I know them better from the comic versions! But I know I had sketched out the basic images and written an opening (later used in a subsequent chapter) then set it aside. I doubt if I would have written them had it not been for the fact that I'd burned out on doing comics for Fleetway and wanted fiction which was owned by me rather than owned outright by the publisher. Economically I could earn in three days what those books made me ($1000 a book) from Lancer so I gave myself three days to do them in. This doesn't mean I could make $350 a day, day in and day out, of course, because I would have burned out totally within a month working at that intensity, but it enabled me to finance NW and keep myself and family while I wrote less immediately commercial work. I was fascinated by masks, including social masks, and that, oddly enough, was the initial inspiration. Few people got the jokes then and few do now. They weren't really meant to be anything but an optional extra, as it were! Incidentally, the Corum books wouldn't have been written, either, had not my wife, Hilary, announced she was pregnant! So I got a wonderful son and the world got Corum..."
- "The Iseulte name and storyline (you'll notice, I suspect, that that's different too) were taken from the outline I gave the publisher. The publisher had to have an outline in order to pay me my advance. I had no intention of following it (cf Borem of Purile as the original for Corum!) but did it for bureaucratic reasons."
- "The Hawkmoon books were written for money and took three days each to do. But I still tried to make them the best I could do of their kind. In the end it's the public who pay me and I feel I owe readers the best value for their money I can produce, irrespective of genre or level of ambition."
We provide the links below as clues to where to begin your search for this book. We do not guarantee its availability. You may find books not related to Michael Moorcock with the links below, especially where there are many similar titles. Moorcock's Miscellany does not sell books, but we get a small commission from each of the sellers below that goes toward the upkeep of this site.