Difference between revisions of "The History of the Runestaff"

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The novels were also collected in the omnibus [[Hawkmoon (omnibus)|Hawkmoon]] from Millennium and White Wolf. In 2013 the novels will be collected again as [[Hawkmoon: The History of the Runestaff]].
The novels were also collected in the omnibus [[Hawkmoon (omnibus)|Hawkmoon]] from Millennium and White Wolf. In 2013 the novels were collected again as [[Hawkmoon: The History of the Runestaff]].
==Mike Says==
==Mike Says==

Revision as of 07:35, 31 December 2013

The History of the Runestaff is the first in the Hawkmoon sequence by Michael Moorcock featuring Dorian Hawkmoon. It is followed by The Chronicles of Castle Brass. The tetralogy was originally published as four volumes in the United States by Lancer Books and as a single omnibus in the United Kingdom by Hart-Davis.


Publishing History

  • Boxset, Mayflower, ISBN: 0-583-12304-X, 1974, Cover by Bob Haberfield
  • Boxset, Mayflower, ISBN: 0-583-12944-7, 1977, Cover by Bob Haberfield
  • Hardcover, Hart-Davis, 576pp., ISBN: 0-246-11128-3, May 1979, Cover by Bob Haberfield
  • Mass Market Paperback, Grafton, 576pp., ISBN: 0-586-06134-7, 13 Sep 1984, Cover by Bob Haberfield
  • B Format Paperback, Gollancz, 656pp., ISBN: 0-575-07469-8, 10 April 2003, Cover by Steve Stone

thotr_box74.jpg Blue_Circle_Boxed_Set.jpg rune_omnibus.jpg thotr_Grafton88.jpg the_history_of_the_runestaff.jpg

The novels were also collected in the omnibus Hawkmoon from Millennium and White Wolf. In 2013 the novels were collected again as Hawkmoon: The History of the Runestaff.

Mike Says

  • "...it took me three days to write the Hawkmoon books. I used to say that I COULD do the job in two days, but it needed a third day for that extra polish... I used to spend a few days in bed thinking over the story, get up to write it, then go back to bed for another day or so. It was to do with best use of energy."[1]
  • "I have yet to read [the Hawkmoon novels] myself. I know them better from the comic versions! But I know I had sketched out the basic images and written an opening (later used in a subsequent chapter) then set it aside. I doubt if I would have written them had it not been for the fact that I'd burned out on doing comics for Fleetway and wanted fiction which was owned by me rather than owned outright by the publisher. Economically I could earn in three days what those books made me ($1000 a book) from Lancer so I gave myself three days to do them in. This doesn't mean I could make $350 a day, day in and day out, of course, because I would have burned out totally within a month working at that intensity, but it enabled me to finance NW and keep myself and family while I wrote less immediately commercial work. I was fascinated by masks, including social masks, and that, oddly enough, was the initial inspiration. Few people got the jokes then and few do now. They weren't really meant to be anything but an optional extra, as it were! Incidentally, the Corum books wouldn't have been written, either, had not my wife, Hilary, announced she was pregnant! So I got a wonderful son and the world got Corum..."[2]
  • "The Hawkmoon books were written for money and took three days each to do. But I still tried to make them the best I could do of their kind. In the end it's the public who pay me and I feel I owe readers the best value for their money I can produce, irrespective of genre or level of ambition."[3]



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